A brilliant, engaging new history of Britain's greatest art-form

Anyone who looks at the history of the novel in Britain without prejudice will find unparalleled bounty, generosity and plenty. The novel is a cultural phenomenon of stunning value, energy, beauty and excitement. It was, for almost three centuries, the means by which ordinary readers, in larger and larger numbers, reached out and tried to understand people who might be rather like them, but, in many cases, were very unlike them indeed.

Philip Hensher's wonderfully entertaining, opinionated and enthusiastic book celebrates the British novel in all its peculiar and beguiling genres, from the early eighteenth century to the present day. It will be impossible for any of its many readers not to immediately derail all their plans and instead find themselves engrossed by one of the book's recommendations.

Hensher is as interesting on why Britain should have developed such a vast appetite for fiction as he is on the evolutionary scramble by writers and publishers to get attention. The result is both a bravura performance and a serious plea to widen the canon, both in terms of admitting more writers and also looking more broadly at the individual writer's oeuvre.