Treat Me Like Dirt captures the personalities that drove the original Toronto punk scene. This is the first book to document the histories of the Diodes, Viletones, and Teenage Head, along with other bands (B-Girls, Curse, Demics, Dishes, Forgotten Rebels, Johnny & the G-Rays, the Mods, the Poles, Simply Saucer, the Ugly and more) and fans that brought the punk scene to life in Toronto. This book is a punk rock road map, full of chaos,betrayal, pain, disappointments, failure, success, and the pure rock 'n' roll energy that frames this layered history of punk.
This compendium of interviews with key players in the Toronto punk scene is"easily one of the best rock biographies you'll read this year."
(
Montreal Mirror)
Treat Me Like Dirtcaptures the personalities that drove the original Toronto punk scene. This is the first book to document the histories of the Diodes, Viletones, and Teenage Head, along with other bands such as the B-Girls, Curse, Demics, Dishes, Forgotten Rebels, Johnny & the G-Rays, the Mods, the Poles, Simply Saucer, the Ugly and more. Also included are interviews from fans that brought the punk scene to life in Toronto. This book is a punk rock road map, full of chaos, betrayal, pain, disappointments, failure, success, and the pure rock 'n' roll energy that frames this layered history of punk in Toronto and beyond.
Treat Me Like Dirtis a story assembled from individual personal stories that go beyond the usual "we played here, this famous person saw us there" and into sex, drugs, murder, conspiracy, booze, criminals, biker gangs, violence, art (yes, art) and includes one of the last interviews with the late Frankie Venom, the singer of Teenage Head. Including a wealth of previously unpublished photographs,
Treat Me Like Dirtis the uncensored oral history of the 1977 Toronto punk explosion.
Exclusive to this edition is a selected discography of all key Toronto punk releases referenced in the book, contributed by Frank Manley, author of
Smash The State, the acclaimed and pioneering discography of Canadian punk, and subsequent vinyl compilations, that activated the current international interest in Canadian punk from the '70s and early '80s.
